Considering it’s beenairing for over two-and-a-half decades, Trey Parker and Matt Stone’sSouth Parkhas had to adapt to stay fresh. And, in many ways, it’s succeeded. One example of how it’s adapted isthe 2021 agreement with Paramount+ to produce 14 films. That said, Trey and Matt have rejected the notion of these being movies, and that’s fair considering they’re closer to extended episodes than the actualSouth Parkmovie from way back in 1999.

South Park

We’re now seven “movies” in, halfway, so what better time to rank them? Just note that this list will only include the specials released after the deal was inked. So, noThe Pandemic SpecialorSouth ParQ Vaccination Specialhere because, one, they’re just extra-long episodes (together they comprise Season 24) and, two, they were released prior to the Paramount+ deal.

7(Not Suitable for Children)

If anything these days is ripe for parody, it’s the combination of OnlyFans and social media influencers. They’re two semi-professions that are both lucrative and utterly devoid of any sort of discernible skill or talent. Social media influencing takes the A-plot, with the kids of South Park all being obsessed with a sugary drink called Cred.

A Swing and a Miss

The Cred stuff doesn’t work as well as it should, so the episode relies on the B-plot. And, considering Randy drives that B-plot by crafting bottomless OnlyFans videos (which, naturally, aren’t that lucrative), there’s at least one recurring gag that works.

The two plots merge with an indictment of social media influencers' power, and how young people, in particular, can be swayed by whatever it is they have to say (or sell) that day. It’s a decent point, but for a special that selected two perfect targets,South Park (Not Suitable for Children)is the biggest disappointment of the bunch to date.

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6Joining the Panderverse

Joining the Panderverseis primarily about “forced wokeness,” especially when it comes to Disney. Classic IPs are being brought back from the dead and given a modern “woke” spin in ways that don’t do anything to truly advance the material. It’s all an attempt to reach a larger audience. Or, as a cynic (who isn’t entirely wrong) might put it, play it safe. Like a few of the other specials, it’s Cartman-dominated, with him going through a portal to a different universe where he and his peers are 30-something, racially diverse women.

B-Plot Before A-Plot

That’s the A-plot, and it seldom works. Having Lucasfilm president Kathleen Kennedy take Cartman’s physicality and persona, in particular, is a bit of a head-scratcher.What does work is the B-plot, at least for a while. Randy Marsh is trying to find a repairman, but has come to realize their prices have gone through the roof because their skills have become more marketable than ever.

These days, people are more likely to make a TikTok dance than actually learn a practical skill. It’s a joke (is it a joke?) that runs thin towards the end of the hour, but because it’s stone-cold accurate, it’s enough to makeJoining the Panderverseworth watching at least once.

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5Post COVID: The Return of COVID

South Parkhas always beenswayed by real-world events, increasingly so over time.Post COVIDand its sequel,The Return of COVID, were released in 2021, right at the height of the pandemic. And, for a comedy released during a depressing time, it doesn’t really hit the funny mark. After all, it elaborates on the death of Stan’s sister, Shelley, and their mother’s subsequent taking of her own life.

The First Part Was Better

All of the stuff about the future that worked inPost COVIDgrows stale inThe Return of COVID, except maybe the concept that all the doorbells are just Trey Parker singing about how future doorbells sing. This is especially true of the cyborg Amazon Alexas, which was a bit that didn’t really work in the first part and only becomes more prevalent in the second.

One thing it does have thatPost COVIDdidn’t is Butters. For one, his parents having abandoned him is right on the money. And, two, speaking of money,him being institutionalized for hawking ridiculous NFTs is a solid joke,as is the outcome of the two-parter being Cartman as a screaming, homeless, cranky, even-more-obese alcoholic.

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4The Streaming Wars Part 2

The best part ofThe Streaming Wars Part 2(outside Randy coming to terms with the fact his character has changed so much as to be unrecognizable) is arguably the very beginning, when a reporter comments on a thrown-out court case by saying"and once again, streaming services have made everything suck.“It’s gutsy the waySouth Parkshould be, considering the mini-movie is the direct result of a deal with a streaming service.

There’s also a nice dig against famous cryptocurrency proponents like Matt Damon, with him eating pasta made with urine instead of advocating a fictional currency that bankrupted people not rolling around inOcean’s Elevenmoney.

Eric and Kyle from South Park in front of Casa Bonita

At Least It’s Still Funny Seeing ManBearPig in a Suit

But,in the end,The Streaming Wars Part 2is another case of one of the “movies” failing to wrap up with a satisfying payoff. Tolkien’s dad going missing at the end of the first part remains a major part of the second, and it’s never particularly interesting. That said,Part 2does kill off Pi Pi, a character first introduced back in Season 13 then kept out of the spotlight for a decade…the randomness of which (having him be the specials' big bad) is humorous.

3Post COVID

Centering onadult versions of the fourth graders,South Park: Post COVIDis the first of the 14 specials. And, given the time jump, it does enough to stand apart. But, considering itdidn’ttake 40 years for the COVID-19 pandemic to subside, it’s a special that played better back in 2021 than it does now.

“Her Name’s Yentl.”

Yet, there’s some stuff that still works.Its vision of the future is pretty funny, as is its vision of the boys turned men. Kenny’s face remains covered, just by a scraggly beard, Stan’s become perpetually depressed, Kyle remains the glue to an extent, and Cartman is, well, a rabbi. Naturally, it’s that Cartman bit that’s both the most surprising and the undoubted highlight ofPost COVID.

2The End of Obesity

The End of Obesityis a great mini-movie for Cartman, more than anyone else. It’s centered around Ozempic, which becomes an option for him and, instead of dreaming about how it could improve both the span and quality of his life, he fantasizes about how he could make fun of everyone with seeming impunity. In his mind, the only thing they could come back at him with is a dig about his weight.It’s a great look into his utter disconnect from realityin terms of how his behavior affects others…and his utter ambivalence to that effect.

Only the Third Act Is Outright Weak

The best part ofThe End of Obesity, however, is its takedown of the U.S. healthcare system. Considering just how massive a disaster it is,it’s an easy target, but once againSouth Parkis right on the money.

The boys enter an insurance agency and are greeted with warmth and a smile. But, once the boys specify that theyneedsomething from the agency as opposed to wanting topayfor something, the warmth goes away and they’re assigned a rep slower than a sloth. It helpsThe End of Obesityfeelcloser to a middle era(AKA Seasons 8-13) episode more than any of the other specials. And, considering that era might have been the last fully solid one, that’s a good thing.

South Park

That said, once Kyle and Butters start producing semaglutides of their own, and the sugar industry sends all of their breakfast cereal mascots after them,the special becomes a bit too silly for its own good.

1The Streaming Wars

What makes the first part ofThe Streaming Warsa winner is its meta-commentary on artists crafting content for multiple streaming services, and how that inevitably leads to a slip in quality. That’s notinapplicable toSouth Park, and it seems Trey and Matt are aware of that. It’s also thebest use of ManBearPigsince theImaginationlandtrilogy.

Continuing the Trend of the First Part Being Better Than the Second

Having Randy be a Karen is a joke that works the first few times, and thankfully, isn’t hammered into the ground so much as to be annoying. Plus, having Cartman make his way into the other boys' boat-making gig by claiming his mom needs surgery (in reality, he wants her to get breast enhancement so they can move out of their closed-down hotdog restaurant) is perfectly in-character, as is where that leads.