In the tradition of Peter Jackson, Sam Raimi, and Robert Rodriguez,Adam Wingardascended from the depths oflow-budget film-makingto achieve blockbuster success in Hollywood with the filmsGodzilla vs. KongandGodzilla x Kong: The New Empire, both of which prove that he is just as adept at working with mammoth budgets as he was with pocket change. The director has traveled much farther, figuratively and literally, on his journey to success than seemingly many other filmmakers over the past 20 years. His film-making odyssey began in the small town of Marion, Alabama, in 2002, when 19-year-old Wingard embarked on hisfeature directorial debut, the horror filmHome Sick, with sparse equipment and virtually no money.
By the timeHome Sickwas completed and set for release in 2007, Wingard had already completed his sophomore feature directorial outing, the 2007 micro-budget horror filmPop Skull, which was released to critical acclaim in 2007 and established the filmmaker as a talent to watch.
The steady upward progression of Wingard’s directorial career over the next decade culminated in 2017, when he was announced as the director of the epic monster filmGodzilla vs. Kong, which grossed approximately $470 million at the worldwide box office against a production cost of somewhere around $200 million. The success ofGodzilla vs. Kongled to Wingard directing the sequel,Godzilla x Kong: The New Empire, which is poised to become one of the highest-grossing films of 2024. Moreover, far from being daunted by the transition to big-budget film-making, the director’sGodzillafilms prove that Wingard is exactly where he belongs.
Adam Wingard Started at the Very Bottom Before Blockbuster Hits
Godzilla x Kong: The New Empire
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The success that Adam Wingard had with the blockbuster filmsGodzilla vs. KongandGodzilla x Kong: The New Empirehighlights how far his career has progressed since his extremely humble origins in Wingard’s native Alabama, where his second feature directorial outing,Pop Skull, was made for just $2,000. Despite its ridiculously low cost,Pop Skullestablished Wingard as a filmmaker with a uniquely twisted vision who could generate maximum value from limited resources.
Indeed, it’s hard to imagine that many other living filmmakers could take $2,000 and make a film as impressive asPop Skull, which tells the genuinely disturbing story of anotorious serial killerwho, upon escaping police custody, embarks on a quest to find his former girlfriend. With his debut feature,Home Sick, andPop Skull, Wingard slowly developed a cult following, especially within the film festival circuit, wherePop Skullreceived several awards, while the filmmaker’s dark directorial style was compared to that of Darren Aronofsky and David Lynch.
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Adam Wingard’s Career Is Made of Stepping Stones Before Godzilla
Adam Wingard’s third feature directorial outing,the 2010 horrorfilmA Horrible Way to Die, marked a transition point in his career in terms of enabling the filmmaker to progress to directing more expensive independent films. WhileA Horrible Way to Diehad a budget of just $75,000, this represented a sizable amount for the director relative to the budgets of his previous films. Moreover,A Horrible Way to Diemarked the beginning of an enduring creative partnership between Wingard and Simon Barrett, who wrote the script forA Horrible Way to Dieand later worked with the director on the filmsBlair Witch,The Guest,You’re Next, andGodzilla x Kong: The New Empire, for which Barrett co-wrote the screenplay and developed the film’s story with the filmmaker.
Barrett and Wingard collectively attracted the attention of mainstream Hollywood with the 2011 slasher filmYou’re Next, which carried a production cost of approximately $1 million. After debuting at the Toronto International Film Festival,You’re Next, which became his first film to receive a major theatrical release, was acquired for distribution by Lionsgate for $2 million. Released theatrically in 2013,You’re Nextgrossed nearly $27 million at the worldwide box office. Barrett and Wingard’s next feature collaboration, the intense 2014 thrillerThe Guest, marked the beginning of an ambitious plan to progressto more expensive, bigger-budgeted films. WhileThe Guest, which cost approximately $5 million, only received a limited theatrical release, it brought the filmmaker the best mainstream critical reviews of his career.
The next phase of this plan involved the 2016 found footage supernatural horror filmBlair Witch, a direct sequel to the groundbreaking 1999 horror filmThe Blair Witch Project. WhileBlair Witch, which carried a production cost of approximately $5 million, received mixed reviews, the film grossed over $45 million at the worldwide box office. BeforeBlair Witchwas released, the director completed filming for his next film, the $40 million supernatural crime thriller filmDeath Note, which marked Wingard’s first foray into big-budget film-making.
Adam Wingard Was Ready to Direct Godzilla
While no one could have predicted that Adam Wingard would make such a successful transition to big-budget film-making withGodzilla vs. KongandGodzilla x Kong: The New Empire, it’s obvious that the sheer ingenuity from his early career has been effectively transferred totheGodzillafranchise, which he has long admired. Compared to the mammoth $200 million budget forGodzilla vs. Kong,Godzilla x Kong: The New Empirecarries a relatively modest production cost of approximately $135 million. However, despite the reduced budget, Wingard has infusedGodzilla x Kong: The New Empirewith at least as much monster-mashing spectacle as its predecessor. Indeed, despite his now lofty status,Godzilla x Kong: The New Empireshows that Wingard still knows how to stretch his dollars.Godzilla x Kong: The New Empireis in theaters now.
